Exhibitions

Developed through the Transmedia Worldbuilding Residency at 4A Centre for Contemporary Asian Art, Jhalak / A Glimpse (2026) documents the artist’s ongoing effort to record her own life through digital media, using photography as both a tool and a means of reflection. By recreating a tableau of her bedroom corner, Kaur builds a layered environment where past and present coexist. Familiar objects, textures, and images are recontextualised into a site of contemplation, a personal archive shaped by emotion, memory, and digital intervention, inviting viewers to navigate a private world without resolving into a single narrative. Exhibited as part of public showcases across Sydney and at Mumbai’s Eyemyth Festival.

Pravaah is a short experimental Bharatanatyam film featuring Anjana Chandran. The dance traces the cycle of life and death. Anjana takes on the form of the divine feminine, expressing love for sky, water, wind, rain, and a leaping deer, before moving through destruction and grief. From a single teardrop, new life is born and a flower blooms. The film is installed on a CRT monitor surrounded by personal objects: worn books, family photographs, incense, quiet offerings from a bedside table. This altar traces the line between the personal and the eternal, the sacred and the everyday.